VISION
Hedlandet residency have invited five (5) writing artist from the Nordic and Baltic countries (Sweden excluded) for a cross-disciplinary exchange within the art of writing, letterpress printing, book bindning and book design. The quest is to make an artists´ book in a traditional letterpress and bookbinding tradition entangled with the exploration of slowness, words, the work of the hand and the influence of place in it self.
The artistic process of letterpress printing based on the principle of materially producing the actual text and the artistic process of writing in a parallel process, allows the artists to contemplate the interdependence between the content of texts and their physical representation. The process of traditional manual letterpress printing will inspire and challenge writing artists when blending the creative spaces of producing text and matter.
The art of book printing in parallel with composing new texts in relation to the concept of intertwine by designing, printing and binding an anthology in a small edition (50 copies á 50 pages). Each artist has approx. 4-6 pages to express and develop their own conceptualization and understanding of Intertwine as a process of artistic research combined with artistic craft and it’s presentation.
Hedlandet intends, together with our collaborating partners Helena Magnusson (Gammelhuset Tryckeri), Kristina Enhörning (S:t Annegatans bokbinderi & konservering) and Johan Laserna (book designer), to entwine robust and environmentally friendly artistic craft with not yet formulated artistic text and transform it into a sustainable work of art to bring into the future.




Mia Maria Rohumaa
Mia Maria would rather be the sound small stones make under the sea when the waves come in or the markings of birds’ feathertips in the melting snowwill run for the tram and make it or miss it, just barelyis an artist whose preffered medium is words.
Mia Maria Rohumaa is currently studying Contemporary Art MA at the Estonian Academy of Arts. She is actively involved in literary network Circa 7 Celsius and Estonian Young Artists’ Association of Contemporary Art (ENKKL). Her artistic practice is centred on mixing words and ingredients to make texts and meals, and also creating situations where unknown things can happen.
Emma Kjær Madsen
Emma is an Danish author and graduate from Forfatterstudiet i Bø and Tromsø, Norway.
I write about human connections and the surfaces people place over the world as a way of protecting themselves. My work revolves around slow and form-driven literature and often moves within hybrid genres, where materiality and structure are central elements. I am interested in the relationship between human and nature, and how language can mirror materials, transformation, and imitation. My practice explores literary form as an active, co-creating layer, and I am drawn to experimentation.
I am participating in Intertwine with an idea for a form experiment that engages in a dialogue with the process of letterpress printing and book binding printing in contemporary context. I look forward to finding inspiration in the hands-on workshops, and in the constraints, I encounter there, as well as in the surroundings of Gamlegård and Torna Hällestad. I have previously published the novel“Spontan selvforbrænding”(2022) at Escho in Denmark and the poems “Stork 3/Mauna Loa” (2025) at Skrot in Norway.
Paola Jalili (she / her)
Paola is an artist-publisher and cultural worker currently based in Helsinki. In 2021, she started Ei Mainoksia, Kiitos!, an independent art publishing initiative that aims to prioritize care and highlight the time and labor behind the act of publishing.
She is a part of Feminist Culture House, a curatorial and editorial platform that works with and for underrepresented artists, and produces tools for more equitable collaborations within the arts. In her visual arts practice, Paola reflects on the intersections between labor, gender, and the contemporary workplace through the project Office Aesthetics.
Solveiga Kaļva
Solveiga is a freelance writer from Riga, Latvia, and a graduate of the Folkloristics and Applied Heritage Studies Master's Program at the University of Tartu, Estonia. She is interested in the ways people perceive places, their relationship with places and how a place can portray community and individuals and vice versa.

Anna Hallin
Anna is Swedish-born, Reykjavík-based visual artist and has lived in Reykjavík since 2001. Anna holds a master degree in ceramics from the University in Gothenburg and in visual arts from Mills College, Oakland, California. She has participated in several group exhibitions in Iceland and abroad and held solo exhibitions in Iceland, Sweden, Finland and Germany, to name a few. Works by her are owned, among others, by Reykjavik Art Museum, Kópavogur Art Museum, Icelandic Folk and Outsider Art Museum, Reykjanes Art Museum and the National Gallery of Iceland. Anna has for a number of years cooperated with the Icelandic artist Olga Bergmann in art projects under the name Berghall. The collaborative duo create interdisciplinary works that blend sculpture, installation, video, and drawing with speculative science and fictional archaeology.